Chapter: "The Prevalence of Playing‐Related Musculoskeletal Disorders in Relation to Piano Players’ Playing Techniques and Practising Strategies." Music Performance Research, Vol. 3, No. 1 (2010), 61-78.
Chapter: “The Feldenkrais Method for Musicians: Addressing the Need for Objective Measurements.” The Feldenkrais Method in Creative Practice: Dance, Music, and Theater. Methuen Drama, Bloomsbury Publishing Pic, 2022, pp. 103-115.
Chapter: “Gaining Insight on the Impact of Feldenkrais Functional Integration in the Context of Piano Playing: Considerations for Measuring Posture and Movement Quality.” The Feldenkrais Method in Creative Practice: Dance, Music, and Theater, Methuen Drama, Bloomsbury Publishing Pic, 2022, pp. 116-133.
“Music and Brain Plasticity.” The Oxford Handbook of Music Psychology. Edited by Ian Cross, Michael Thaut, and Susan Hallam. Oxford, United Kingdom: Oxford University Press, 2016. pp. 325-42. ISBN: 9780191034459.
While this is not about Feldenkrais Method, it is very relevant.
What Every Violinist Needs to Know about the Body. Bloomington: Indiana University Press, 2008.
This book offers insights into body awareness for musicians, including percussionists, and integrates principles similar to those in the Feldenkrais Method.
Chapter: “Building a Model for Injury Prevention in Music Pedagogy Rooted in Feldenkrais’s Philosophy and Methodology for Learning.” The Feldenkrais Method in Creative Practice: Dance, Music, and Theater, Methuen Drama, Bloomsbury Publishing Pic, 2022, pp. 158-172.
Chapter: “Tuning the Body: Acting, Dancing and Singing from Rehearsal to Performance.” The Feldenkrais Method in Creative Practice: Dance, Music, and Theater, Bloomsbury Publishing Pic, 2022, pp. 207-220.
“Improvisieren Mit Einem Improvisierenden Körper | Improvisation with the Improvising Body.” In Improvisation Erforschen - Improvisierend Forschen / Researching Improvisation - Researching by Improvisation: Beiträge Zur Exploration Musikalischer Improvisation / Essays About the Exploration of Musical Improvisation, edited by Reinhard Gagel and Matthias Schwabe, 1st ed., 181–201. transcript Verlag, 2016.
Monograph: Eikmeier, Corinna. Ungewohnte Positionen: Ein Praktischer Beitrag Zur Anwendung Der Feldenkrais-Methode in Der Musikalischen Improvisation. Muth, B, 2010.
A practical contribution to applying the Feldenkrais Method to musical improvisation.
Chapter: “Mapping Body Awareness Onto Piano Performance for Artistic Rejuvenation.” The Feldenkrais Method in Creative Practice: Dance, Music, and Theater, Methuen Drama, Bloomsbury Publishing Pic, 2022, pp. 137-157.
Playing the Piano With Your Whole Self. Novi Sad: Piano Somatics Press. 2021.
Honing the Pianistic Self-Image: Skeletal-Based Piano Technique. Novi Sad, Serbia: Piano Somatics Press, 2010.
All Thumbs: Well-Coordinated Piano Technique. Novi Sad: Maple Grove Music, 2012.
The Craft of Piano Playing. Novi Sad: Serbia: Piano Somatics Press, 2011.
Thesis. The Feldenkrais Method in Practice and Performance at the Piano, Queensl Conservatorium, Griffith University, 2019-2022
Singing with Your Whole Self: The Feldenkrais Method and Voice. Rowman & Littlefield, 2018.
The Feldenkrais Method for Instrumentalists: A Guide to Awareness Through Movement. Rowman & Littlefield, 2023.
Introduction, “Towards an Ability Studies.” The Feldenkrais Method in Creative Practice: Dance, Music and Theatre, Bloomsbury Publishing Pic, 2022, pp. 1-14.
Chapter: “Feldenkrais, Freud, Lacan and Gould: How to Love thyself for Thy Neighbor.” The Feldenkrais Method in Creative Practice: Dance, Music, and Theater, Bloomsbury Publishing Pic, 2022, pp. 38-54.
Editor: The Feldenkrais Method in Creative Practice : Dance, Music and Theatre. London: Methuen Drama, 2021.
The Feldenkrais Method. New Vistas, University of West London, 3, no. 1, 2017.
Thesis. “The Feldenkrais method in music : a practical, awareness-based approach to recital preparation.” , May 6, 2017.
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